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“Yama-uba” is one of the Buddhist plays thoroughly saturated with deep thought, especially of Zen. It was probably written by a Buddhist priest to propagate the teaching of Zen. It is often misinterpreted, and most No-play No-lovers miss the real point of the play.
Yama-uba, literally “the old woman of the mountains,” represents the principle of love secretly moving in every one of us.
Usually we are not conscious of it and are abusing it all the time. Most of us imagine that love is something beautiful to look at, young, delicate, and charming. But in fact she is not, for she works hard, unnoticed by us and yet ungrudgingly; what we notice is the superficial result of her labor, and we think it beautiful – which is natural, for the work of love ought to be beautiful.
But love herself, like a hard-working peasant woman, looks rather worn out; from worry about others her face is full of wrinkles, her hair is white. She has so many knotty problems presented for her solution. Her life is a series of pains, which, however, she gladly suffers. She travels from one end of the world to another, knowing no rest, no respite, no interruption.
Love in this phase, that is, from the point of view of her untiring labor, is fitly represented as Yama-uba, the old lady of the mountains.